
THE FANTASTICKS
Book and Lyrics by Tom Jones
Music by Harvey Schmidt
RUTH HUMPHREYS BROWN THEATRE
June 21 – Sept 14
Tickets Start at $38 for adults & $20 for children
TRY TO REMEMBER THE FIRST TIME THE MAGIC HAPPENED
This classic fable about a boy, a girl, their parents, and a love that grows with each season, returns to CRT for its 60th Season. The Fantasticks inspires us all to return to a time when we allowed ourselves to be overcome with hope and enchantment. This musical masterpiece includes timeless songs like, “Try to Remember” and “Soon It’s Gonna Rain.”
Musical, Romance
Content Advisory
Recommended for ages 12+
This production includes some mild language, scenes of stylized violence, mature themes, and romance gone awry.
Please see CRT’s complete list of Content Advisories for additional information.
ASL-Interpreted Performances
Saturday, July 12 @ 7pm
During ASL–interpreted performances, American Sign Language interpreters are located near the stage. Patrons using this service will be seated in an area that gives the best sight lines to follow both the interpretation and the action on stage. One signed performance will be offered for each CRT production July 11-13.
Seating in the designated area (denoted by an ear icon) may be purchased online, through boxoffice@creederep.com, or by calling the box office at (719) 658-2540 (voice).

Kate Gleason
Director’s Note
“Round and round,
‘Neath a magic spell…
Life is a colorful carousel.”
And here we are in 2025, coming full circle, revisiting this magical, colorful, and timeless American classic for CRT’s 60th season.
When discussing The Fantasticks, it’s hard for me not to draw parallels with another classic of the American stage (and one of my favorites): Thornton Wilder’s Our Town. Wilder’s play was an important influence on writers Tom Jones and Harvey Schmidt as they began drafting their now-famous and long- running musical. Jones and Schmidt even adapted Wilder’s play into a musical, Grover’s Corners. The similarities are striking: a simple yet imaginative set; a central “master of ceremonies”; a girl and a boy who fall in love; and the parents who love them. Both deal thematically with the illusions and realities of love and the time it takes to learn the difference—the cycle of life reveals itself to be a complicated but beautiful ride. Like all good stories or allegories, these tales provide different lessons to us depending on our age. In the case of The Fantasticks, if we are young, we may see ourselves as Matt and Luisa;
when we’re parents, Bellomy and Hucklebee. I certainly recognize myself at times in Henry and Mortimer! The story takes Matt and Luisa round and round this enchanting and at times frightening life and brings them, and us, full circle to whomever and whenever we are. Beneath the whimsical romanticism, the theatrical magic, and the seasonal and cyclical imagery lies a simple but universal story about our journey through life, with all its joys and sorrows and the lessons we learn. Life can be a colorful carousel, but it can also be reckless and cruel, and like a carousel, things that go round and round by definition come full circle, and we, hopefully, arrive a little wiser. And that is why by the end of our ride we hopefully recognize that,
“Deep in December, it’s nice to remember
The fire of September that made us mellow
Deep in December, our hearts should remember.
And follow…”
CAST & CREATIVE TEAM
CREATIVE TEAM
Director Kate Gleason
Music Director Aldo Allgoode
Choreographer Bethany Eilean Talley
Scenic Design Tina Anderson
Costume Design Anthony James Sirk
Lighting Design Mandy Heath
Sound Design Kyle Jensen
Dramaturg Kayla Brooke
STAGE MANAGEMENT
Stage Manager Esther McFaden*
Asst. Stage Manager Kelsea Sibold
CAST
The Narrator (El Gallo) Guillermo Jemmott Jr.*
The Girl (Luisa) Marisa Dinsmoor
The Boy (Matt) Henry Hawes
The Boy’s Parent (Hucklebee) Dani Soibelman*
The Girl’s Parent (Bellomy) Logan Ernstthal*
The Old Actor (Henry) Christy Brandt*
The Man Who Dies (Mortimer) Alan Ball*
The Mute Heidi Carann Snider
The musical is suggested by the play Les Romanesque by Edmond Rostand.
Since its opening in May 1960 at the Sullivan Street Playhouse in New York and its subsequent revival at the Jerry Orbach Theatre, The Fantasticks remains the longest-running production of any kind in the history of American theatre.
The Fantasticks is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
THANK YOU TO OUR SPONSORS
Paul & Jennifer Harrison
presenting sponsor of The Fantasticks